Mad Men S01 Complete

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Mad Men S01 Complete Average ratng: 10,0/10 4607 reviews

Home ♥ TV-Drama ♥ Mad Men Season 1-7 COMPLETE BluRay 720p. S01: 720p.BluRay.DTS. Mad Men complete series in 480p below. Can someone upload Mad Men season 1-7a with english subs, quality between 480-720p please, if this is too much seasons 2,3,4,5,7a would be anough.

  1. Mad Men S01

Next → The first season of the American series premiered on July 19, 2007 and concluded on October 18, 2007. It consisted of thirteen episodes, each running approximately 47 minutes. Broadcast the first season on Thursdays at 10:00 pm in the United States. Actors, and receive main cast billing. Season one takes place between March and November 1960. It introduces the fictional advertising agency Sterling Cooper. The season begins with the new secretary, Peggy Olson, starting her first day with the firm.

As the season unfolds, the mysterious backstory of enigmatic ad man Don Draper is revealed as are the growing confidence and success of Peggy Olson. The first season was highly praised for its excellence in writing, acting, and art design, as well as for its faithfulness to the era it depicted. It was acknowledged with numerous honors from industry awards, including the, the for, and a.

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as (2 episodes). as (1 episode). Darren Pettie as (1 episode) Plot The first season opens in March 1960, as genius advertising executive meets, his new secretary. They both work at the small but prestigious agency Sterling Cooper. Though Don is welcoming towards her, Peggy is subject to passive-aggressive hostility from office manager and sexual harassment from her male colleagues. Junior accounts manager, who is about to get married, takes a liking to Peggy and the two have sex the night of his bachelor party.

Don, meanwhile, has trouble balancing his life as he cheats on his repressed wife, with a artist named., the acerbic son of one of Sterling Cooper's founding partners, cheats on his wife, with Joan, with whom he is enamored. Sterling Cooper begins working for the, gratis and unbidden, as they believe Nixon's success will benefit their business. They are also working to reassure their largest client, whose account is the firm's bread and butter, in the face of resurgent medical research demonstrating smoking is harmful and related lawsuits and impending legislation harmful to the tobacco industry. Betty begins seeing a psychiatrist after her numb and shaking hands cause her to crash the family car.

Don, initially resistant to the idea of psychotherapy, allows Betty to seek help. Behind Betty's back, Don has Betty's doctor report back to Don what Betty says in treatment. Meanwhile, Don begins a flirtatious relationship with, the Jewish owner of a department store who seeks marketing help at Sterling Cooper. Don also has to deal with the arrival of his younger brother, who refers to Don as 'Dick Whitman'. Don gives Adam $5,000 and tells him to make a new life for himself, as Don did, and to never contact Don again.

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Flashbacks to Don's childhood as 'Dick Whitman', during the, depict Dick's relationships with his unloving, pious stepmother, who calls him a 'whore-child', and abusive father, who cheats a out of promised payment for performing chores. Dick had grown friendly with the vagrant, and the incident further degrades his image of his father. Additionally, the vagrant teaches young Dick the, which communicates important messages via simple visual symbols.

Don finds a weathered hobo sign indicating Don's father is a dishonest man. Peggy begins writing copy after ad man recognizes her talent. She is soon given control of her own account, creating a campaign for a weight loss machine.

Peggy's work on the weight loss machine coincides with her own weight gain. Roger suffers two heart attacks, drastically changing his outlook on life, and prompting Lucky Strike's owner, to warn Bert that keeping Lucky Strike's account requires Sterling Cooper to do something to 'show Don Sterling Cooper appreciates him'.

Bert then offers Don a partnership, with a 12% share of the business (without Don having to pay a partnership fee). Don accepts, provided he's not required to sign a contract; an amused Bert agrees, and acknowledges Don's attitude calls back to 's philosophy, as expressed in the book Bert had earlier urged Don to read:. Don's first order of business is to appoint a new head of accounts (to lighten Roger's load as partner and rainmaker), and Don begins interviewing external candidates (to Pete's chagrin). The most promising candidate proves to be, who 'landed ', but is looking for a job after alcoholism and an extramarital affair ended his career at 's London office. After the partners leave for the day, the Sterling Cooper ad men throw a raucous party the night of the 1960 presidential election, but see their client and preferred choice, defeated.

Further flashbacks revolve around Dick Whitman's origin story in the, in which he is put under the command of a Lieutenant Donald Draper, who is soon to be sent home. After an attack, an accidental explosion kills Draper and injures Whitman. Whitman switches dog tags with his lieutenant and assumes Draper's identity as a way to escape the war. The Army has 'Draper' take Whitman's body back to Whitman's family. The coffin is dropped off by train, and Whitman does not exit to greet his family, but a young Adam sees Whitman standing inside the train. Adam's parents dismiss his entreaties that, 'I see Dick on the train'. A female train passenger notices Whitman's look of grief and tells him to 'forget that boy in the box'.

Whitman then turns his back on his family and begins his new life as 'Donald Draper'. Pete, who has demonstrated a propensity to snoop, expresses the belief that he should be promoted to head of accounts and throws his hat in the ring. He has also revealed his jealousy about Peggy and Don's success and sits at Don's desk after the two have left for the day. The mailroom boy mistakes Pete for Don and delivers a package from Adam Whitman filled with Dick Whitman's dog tags and childhood photographs. (Adam posted the package immediately before hanging himself in his hotel room.) Pete confronts Don with the information that he knows 'Don's real name is Dick Whitman and attempts to blackmail him for a promotion. Don neutralizes the threat by telling Bert, 'I've pulled the trigger on hiring Duck Phillips', which he knew would incite Pete to reveal Don's true identity to Bert.

Pete tells Bert that Don is a deserter who isn't who he says he is, and Bert brushes it off with, 'Who cares?' After Pete leaves the room, Bert gives Don the option to either fire Pete or keep a close eye on him, as one never knows what spawns loyalty. Peggy seeks medical care for severe stomach pain. The doctor quickly realizes Peggy's weight gain is a result of a pregnancy; she was impregnated by Pete Campbell. After the child is delivered, the nurse encourages Peggy to hold the baby. Peggy refuses and the baby is put up for adoption. The season ends just before Thanksgiving 1960, as Betty and Don bicker over Don's lack of interest in attending Thanksgiving dinner with Betty's family.

Don cites his workload as his reason to stay home. Soon afterwards, Betty discovers Don was receiving calls from her psychiatrist, who was reporting on her sessions to Don.

Don also learns that his brother Adam has hanged himself. Don subsequently makes a new campaign presentation for the that revolves around the 'power of nostalgia'. During a train ride, Don has a vision of returning home to announce he will be joining the family for Thanksgiving. Instead, Don returns home to find the house dark and empty. He sits alone at the bottom of the staircase as the season closes. Episodes. See also: No.

In season Title Directed by Written by Original air date U.S. Viewers (millions) 1 1 ' July 19, 2007 ( 2007-07-19) 1.65 It's March 1960. Don Draper, a high-level advertising executive at the Sterling Cooper agency in New York City, struggles to find ideas to keep an account for cigarettes, while at the same time managing his tangled personal life. Peggy Olson finds employment as Don's new secretary but immediately finds it difficult to fit in with the other secretaries, especially Joan Holloway. Junior accounts manager Pete Campbell, who is about to get married, takes a liking to Peggy and pursues her sexually. 2 2 ' Alan Taylor Matthew Weiner July 26, 2007 ( 2007-07-26) 1.04 Don continues to conceal his increasingly complicated personal life, even in the face of Roger Sterling's invitation to open up. Meanwhile, Peggy pines for Pete, who is still on his honeymoon, while fending off the advances of several of the men of Sterling Cooper.

Betty's numb and shaking hands lead her to see a psychiatrist. 3 3 ' August 2, 2007 ( 2007-08-02) 1.07 Pete returns from his honeymoon, excited about his new marriage but conflicted about his past encounter with Peggy. Don's business relationship with client Rachel Menken develops into a personal attraction, while he and Betty host a birthday party for their daughter, Sally. 4 4 ' August 9, 2007 ( 2007-08-09) 0.85 Pete faces pressure from his wife, Trudy, regarding a new apartment. He also further alienates Don and almost loses his job at Sterling Cooper by pitching his own copy to a client in a social setting.

Bert Cooper advises Don to retain Pete because of his society connections. Betty meets her neighbor Helen Bishop's ex-husband and babysits Helen's son Glen. 5 5 ' Matthew Weiner August 16, 2007 ( 2007-08-16). N/A Ken gets a short story published in, inciting envy among his colleagues and driving Pete to ask his wife to meet with an old boyfriend to help Pete get published. Don's younger brother Adam, who believed that Don was killed in the, stumbles upon a photo of Don in and tries to come back into his life.

Peggy overhears a personal phone conversation between Don and Midge and shares the secret with Joan. 6 6 ' & August 23, 2007 ( 2007-08-23) 2.07 It's Mother's Day. Roger tries to convince Joan to get her own apartment so they won't have to meet in hotels anymore.

At a brainstorming session for Belle Jolie lipstick, Peggy has some interesting ideas that cause Freddy Rumsen to suggest she be asked to write copy. Rachel faces her conflicting feelings for Don after he seeks out her advice on a new campaign for tourism to. 7 7 ' Tim Hunter August 30, 2007 ( 2007-08-30).

N/A As Peggy's ad copy proves to be successful, her relationship with Pete becomes more complicated. Don spends the evening with Midge and her Bohemian friends. An encounter Don had as a boy with a hobo is told in flashbacks. Art Director Sal Romano finds himself the object of interest of both a female co-worker and a male client. 9 9 ' Chris Provenzano and Matthew Weiner September 13, 2007 ( 2007-09-13) 0.84, a larger ad agency, tries to hire Don. They offer Betty a modeling job as a part of their attempt to lure him. The agency devises a strategy to help Nixon's presidential campaign.

Peggy's weight gain is noticed in the office, leading to a fight between Pete and Ken Cosgrove, after Ken makes an insulting comment about her. 10 10 ' Tim Hunter Bridget Bedard and Andre Jacquemetton & Maria Jacquemetton and Matthew Weiner September 27, 2007 ( 2007-09-27). N/A Sterling Cooper's employees have an all-night office party to watch the results. Pete discovers Don's real name is Dick Whitman, and Whitman officially died in the Korean War in 1950. When Don tells Pete that Duck Phillips will become the new head of accounts, Pete tries to use this knowledge to blackmail Don into giving Pete the job. Don remembers his past in the. 13 13 'The Wheel' Matthew Weiner Matthew Weiner and October 18, 2007 ( 2007-10-18) 0.93 Betty discovers her friend's husband has been having an affair, leading her to re-evaluate her own marriage.

Pete brings in a big account through his father-in-law. Peggy gets promoted to junior copywriter, but without realizing she is pregnant, she gives birth to a child fathered by Pete Campbell. Don learns of his brother's suicide, successfully pitches an ad campaign for to, and decides not to spend Thanksgiving with his family. Production Filming The pilot episode was shot at and various locations around New York City; subsequent episodes have been filmed. It is available in for showing on AMC-HD and on services available from various cable affiliates.

The writers, including Weiner, amassed volumes of research on the period in which Mad Men takes place so as to make most aspects of the series—including detailed set designs, costume design, and props—historically accurate, producing an authentic visual style that garnered critical praise. Each episode has a budget of 2–2.5 million, though the pilot episode's budget was over $3 million. On the scenes featuring smoking, Weiner stated: 'Doing this show without smoking would've been a joke. It would've been sanitary and it would've been phony.'

Since the actors cannot, by California law, smoke tobacco cigarettes in their workplace, they instead smoke. Crew In addition to having created the series, Matthew Weiner is the, and an; he contributes to each episode—writing or co-writing the scripts, casting various roles, and approving costume and set designs. He is notorious for being selective about all aspects of the series, and promotes a high level of secrecy around production details. Along with Matthew Weiner, the writing staff of the first season consisted of co-executive producer, who wrote two episodes; producer, who wrote two episodes; producers and writing team and, who wrote three episodes; writer's assistant, who wrote two episodes; and freelance writers and, who each wrote two episodes. Other producers included co-producer, producer, and co-executive producer. Primary directors of the first season were, who directed four episodes, and, who directed three including the pilot episode. The remaining episodes were directed by, series cinematographer, and series creator Matthew Weiner, who directs each season finale.

Reception Ratings The premiere episode, which aired at 10:00 p.m. On July 19, 2007, was rated higher than any other AMC original series at the time, and attained a 1.4 (1.2 million households).

The season averaged 900,000 viewers. Critical reception The first season of Mad Men received generally favorable reviews from critics. Review aggregator reports that 87% of 30 critics have given the season a positive review. The site's consensus is: 'Oozing evocative early 1960s ambiance, Mad Men is a sly, subversive look at the American workplace that radiates class, wit, and an undercurrent of disaffection.' On, the first season scored 77 out of 100 based on 32 reviews, indicating generally favorable reviews. Tim Goodman of said each episode 'unfolded like a small movie', calling it 'one of the best character studies anyone has put on television in some time – an adult drama of introspection and the inconvenience of modernity in a man's world.'

Of said the show 'hopes to come to grips with both what was lost and what has been gained since generation gaps, sexual revolutions, racial divides and Vietnam blasted the '60s apart' and called it a 'smart, complex drama'. Called it 'both a drama and a comedy and all the better for it, a series that breaks new ground by luxuriating in the not-so-distant past.' Writing for, Jeffrey Kauffman considered the season to be 'one of the most literate and unique series to come down the pike in a long while', noting that it was 'kind of refreshing to find a series that trusts its audience enough not to spill every bean possible in the first 30 second tease'. Fellow DVD Talk writer Adam Tyner described the season as 'virtually flawless', praising the depth with which each of the characters has been written., writing in, praised the initial episode, stating: 'Inspired by cynical Eisenhower-era comedies of manners (, ) and the stories of, frequent Sopranos writer Matthew Weiner's Mad Men is a scathing chronicle of the ad industry’s boozy midcentury heyday, and one of the freshest series to hit basic cable in years.' 's reaction to the first season was more mixed, commenting that 'as a serialized drama, the program's situations aren't especially stirring, even with its solid, perfectly outfitted cast. The sheer atmosphere, however, proves intoxicating.'

Of wrote a negative review, stating that 'the stories unfold in a dry, drab way and the pacing is desultory. Series directors are fond of long pauses that serve no purpose other than to give the impression that an actor forgot his next line.' Accolades The first season of Mad Men was nominated for and won numerous industry awards, including fifteen Emmy nominations and six Emmy wins. At the, Mad Men won and ( for '). The series also won Creative Arts Emmys for Art Direction, Cinematography, Hairstyling, and Main Title Design. The series also received nominations for , , , , again for 'Smoke Gets in Your Eyes') and a second nomination for Outstanding Writing in a Drama Series (Weiner and, for 'The Wheel'). Mad Men won a for Outstanding Achievement in Television for the first season in.

AMC Executive Vice President Charles Collier called the award an 'incredible honor'. The first season was also honored by the as one of the ten greatest television achievements of 2007, called it brilliant for depicting 'the discomfort that hides in the dark corners of nostalgia', and said 'The show's extraordinary writing, characterizations and art direction neatly package a time filtered through the haze of cigarettes and sexism, but the message is for today — that those who sell a way of life are often mad for a world that is not their own.' The series won at the, while Jon Hamm won. 'Smoke Gets in Your Eyes' also won a for Outstanding Casting in a Television Pilot, Drama.

Alan Taylor won a for 'Smoke Gets in Your Eyes'. The series also won for and. For 'The Hobo Code' was nominated for the award, but lost to episode, '. The first season was also honored by the, winning, and. Jon Hamm was also nominated for at the. Jon Hamm and the cast Mad Men were also nominated at the for and but lost to and the cast of, respectively. Home media release The first season was released on DVD and Blu-ray in region 1 on July 1, 2008.

In addition to the thirteen episodes, the discs include 26 audio commentaries by cast and crew, and featurettes regarding the production of the series and mini-documentaries on and the historical time in which the story is set. Featurettes include 'Establishing Mad Men', 'Advertising the American Dream', and 'Scoring Mad Men'. Also included is a music sampler for music from the show, a photo gallery, and a season two preview. References.

Johnston, Andrew (July 20, 2007). Slant Magazine. Retrieved June 19, 2011.

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Multichannel News. Plink with tun2sock. Retrieved March 5, 2016. The Futon Critic.

September 21, 2007. Retrieved April 18, 2015. Don asks Peggy for a glass of iced water because 'someone hasn't told the sun it's October.' . Robertson, Ed (October 28, 2008). Media Life Magazine. Retrieved April 7, 2015.

Mad men s01

Mad Men S01

Company Town blog. April 7, 2010. Retrieved April 18, 2010. Feld, Rob; Oppenheimer, Jean; Stasukevich, Ian (March 2008). American Cinematographer. Haugsted, Linda (June 25, 2007).

Multichannel News. Retrieved July 21, 2007. ^ Schwartz, Missy (May 30, 2008). Entertainment Weekly.

Retrieved July 19, 2008. Steinberg, Jacques (July 18, 2007). New York Times. Retrieved August 15, 2007. ^ Matthew Weiner et al. Archived from on 2012-03-23. Goodman, Tim (July 18, 2007).

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Retrieved July 21, 2007. Poniewozik, James (July 20, 2007). Retrieved July 23, 2007.

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Reuters/Hollywood Reporter. Retrieved July 21, 2007. Seidman, Robert (July 28, 2008). TV by the Numbers. Archived from on September 30, 2012. Retrieved June 19, 2009. Rotten Tomatoes.

Retrieved October 21, 2013. Retrieved February 29, 2012. Goodman, Tim (July 18, 2007). San Francisco Chronicle.

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The New York Times. Retrieved February 29, 2012. Kauffman, Jeffrey (June 26, 2008). Retrieved March 4, 2012. Tyner, Adam (June 28, 2008). Retrieved March 4, 2012.

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Lowry, Brian (June 11, 2007). Retrieved February 29, 2012. Shales, Tom (July 19, 2007). The Washington Post. Retrieved February 29, 2012. Retrieved March 7, 2012. Retrieved March 7, 2012.

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The professional and personal lives of those who work in advertising on Madison Avenue - self-coined 'mad men' - in the 1960s are presented. The stories focus on those at one of the avenue's smaller firms, Sterling Cooper, and its various incarnations over the decade. At the heart of these stories is Donald Draper, the creative genius of the company. That professional creative brilliance belies the fact of a troubled childhood, one that he would rather forget and not let anyone know about except for a select few, but one that shaped who he is as an adult and as an ad man in the need not only to sell products but sell himself to the outside world. His outward confidence also masks many insecurities as evidenced through his many vices, such as excessive smoking, drinking and womanizing - the latter despite being a family man - and how he deals with the aftermath of some of the negative aspects of his life. The first episode of Mad Men honestly represents the drinking, smoking, sexist fifties, a time when Madison Avenue's attitude and control permeated our entire culture, including one international political blunder after another, a time before anyone ever heard of political correctness.

Gays were still in the closet, women slept their way to wherever they wanted to go, and advertising executives ruled the world. Everyone smoked because we all just looked so damn good doing it. Mad Men captures not only the look of the fifties, it grabs all the details along with it. Here's a show for Aaron Sorkin fans, a show that treats the audience as adults, smartly written, yet a show that avoids pandering.

At first, characters appear one dimensional but there's a hint of turmoil below the surface, a promise of things to come in future episodes. This, my friend, is an expose.' I suspect Mad Men will be a small audience success story. It's a quality show, for grown ups, and the fact that it's on AMC will mean it can live a full life with less than network audience numbers. I really enjoyed the first episode and look forward to the next.